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I think my netbook (an early Dell Mini 9) just croaked on me; I haven't been able to turn it on all day. Dammitdammitdammit.

That being said, I'd be in a lot more pain if I hadn't set up decent online sync protocols. I can not recommend Dropbox highly enough (referral link) for syncing files between my Linux netbook, my Windows PCs, and even my iPhone. Fortunately, I'd just redently fixed a custom shell script / cron job I used to copy my Thunderbird email to Dropbox, so I was able to recover that fairly quickly on my desktop PC.

My First Quilt

I made this:
My First Quilt

The People's Villain

New ShorDurPerSav:

At least there's no Celine Dion music.

Yes, if you feel any desire to see The Cabin in the Woods, you do need to see it as soon as possible so as to avoid any spoilers.

For kukla_tko42 in particular

Note: Before you get too excited, it looks like the closest stop on the first tour is in KC.

Wub Wub Wub

This has been going around, and I've long since lost track of where I originally found it:

So, I am now willing to consider the premise that there exists dubstep which does not suck. So, where can I find similar non-suckage (i.e. no gorram Skrillex) to add to my arsenal library?

DJ Trollblood

Conflation room party, wearing epic Tiki pajamas.

...plus c'est la même chose.

Interesting passage from a book I'm reading (emphasis mine):

"Once commercial radio took off in 1922, it would take the record industry, publishers, and the union decades to allow radio DJs to legally play records on the air. Rather than embrace radio as a promotional vehicle, record companies placed warnings on record labels, forbidding their broadcast. The musician's union struck for almost a year to protest the practice of playing records on the radio.

"The American Society of Composers and Publishers (ASCAP) forbade radio from playing any songs written by their members. In response, the national Association of Broadcasters (NAB) formed Broadcast Music International (BMI), which signed up many young country ("hillbilly"), folk, and African-American songwriters and artists to write and record records that could be played on the radio. This move had a significant impact on the development of popular music on the airwaves, giving an early boost to musical styles and musicians who may have been kept off the radio entirely, if radio's commercial potential had been known."
-- Stephen Webber, "The RIse of the Radio DJ", DJ Skills: The Essential Guide to Mixing & Scratching